Even via the tumultuous instances marked by interrupted shoot schedules and journey constraints, the tenacity and drive to build reliable tales proceeds to propel Asian media considerably past any barriers.
Now, after not convening in-individual for a 12 months — in some situations, two decades — media conferences and festivals are springing again to lifestyle, which includes the Asia Tv set Forum & Current market and ScreenSingapore (ATF|SS), Singapore International Film Pageant (SGIFF), VidCon Asia Summit and the Singapore Comic Con. Attendees will obtain plenty of articles on the market and many new developments to speak about, such as what it is like to expertise in-individual functions, these types of as SGIFF, with each other again.
“If 2020 was the year we stepped out of our comfort zones to make SGIFF a hybrid format, I am proud to say we have appear full circle, emerging more powerful than at any time and having the collecting back to the cinemas, in which we working experience the legitimate magic of movie,” says Emily J. Hoe, SGIFF’s govt director. This year’s pageant is returning as a comprehensive on-internet site celebration, an achievement manufactured doable by collaborative attempts to guarantee the security of attendees.
These events and many others tumble less than the umbrella of the Singapore Media Festival (SMF). Devoted to making Singapore as a media hub, SMF has facilitated additional than USD$1.89 billion in bargains concerning community and global media firms considering the fact that its inception in 2014.
“We consider that there’s a trove of remarkable expertise, creativity and stories in Asia, and we are thankful that we have been ready to carry these into the highlight via the SMF more than the several years,” claims Justin Ang, assistant chief government of media, innovation, communications and internet marketing at the Infocomm Media Growth Authority (IMDA), a Singapore governing administration company.
Singapore Media Pageant 2021 – Bringing Asian Storytelling to the Earth
The 2021 edition of SMF will showcase a dynamic lineup that provides Asian creators the opportunities to make waves regionally and globally. With Singapore as a gateway that connects Asia and global audiences, SMF is uniquely positioned for marketplace insiders to meet and find out the latest trends, talents and written content in Asian film, Television set and digital media.
To cultivate neighborhood media talent, various SMF occasions are set to include things like mentorship and advancement plans. For example, ScreenSingapore, held in tandem with the Asia Tv Forum (ATF) from Dec. 1-3, will host the SEAScreen Challenge Current market and convention. The event aims to hook up promising writers, administrators and producers from about the earth with a assortment of stakeholders within just the Southeast Asian movie and Tv realm.
Meanwhile, the Singapore Global Movie Competition (SGIFF), which runs from Nov. 25 to Dec. 5, will aspect mentorship programs, grasp courses and dialogues like the Southeast Asian Film Lab — a collaborative space for budding Southeast Asian filmmakers to obtain opinions from mentors and listen to from fellow artists. The Youth Jury and Critics Application, held at the exact same event, is intended to nurture new film critics who can lead to Southeast Asian film lifestyle and discourse. Extra than 100 movies will be highlighted at this year’s SGIFF, with functions from in excess of 40 international locations, which includes powerful illustration from Southeast Asia.
Immediately after two years’ absence, Asia’s major celebration of on the net video clip and electronic creators, the VidCon Asia Summit, will return to Singapore on Nov. 25, with educational workshops concentrating on expanding audiences and revenue in the rapid-paced Asian on the internet video market. Themed all-around the “Future of On the web Online video,” the seven-hour multigenre meeting will function keynotes and panels by field gurus and market leaders to enable creators sharpen their management and technical competencies. Members will also understand how to use their social channels to very best existing their eyesight and capture new market place options.
Comic fans can also rejoice as Singapore Comedian Con returns right after a just one-year split, with the colorful conference absolutely on the net and free of charge from Dec. 3 to Jan. 2, 2022. In line with the SMF’s general theme, the 2021 edition of Comedian Con will showcase homegrown talent and enable them build the connections needed to monetize their concepts.
Paving the Way for Creatives
This year’s SMF will also focus on connecting crucial media players, these kinds of as showrunners, to Singapore’s creative skills. Around the decades, award-successful local showrunners, like Eric Khoo of Zhao Wei Movies and Fran Borgia of Akanga Film Asia, have propelled Singapore and Asia into the intercontinental spotlight.
For this iteration, SMF will function with this kind of showrunners to boost the generation of new intellectual assets (IP) and higher-quality co-productions. Showrunners attending the event can also deal and monetize their IP by securing funding and selling the IP to foremost distribution platforms. Performing hand-in-hand, homegrown showrunners and talents can provide Asian tales to an international sector.
“There are a excellent selection of inspiring tales, creators and chances right here in Asia, and lots of of these have appear to lifetime mainly because of showrunners who paved the way in connecting the myriad of variables that make top quality productions attainable,” claims Borgia. “With the SMF as a platform for articles, talent and enterprises to arrive collectively, we will be ready to uncover even more gems that we can share with a worldwide viewers.”
Acquire the Hollywood strike “Crazy Prosperous Asians,” which was sparked by a conversation among an govt at the Singapore Movie Commission and John Penotti, a producer who attended earlier editions of SMF. The uniquely Singaporean film featured 12 local cast customers acting along with Asian American stars, as effectively as shut to 300 local media skills in generation crew roles. The movie went on to gross USD$238 million — proudly showcasing Singapore and its abilities on the worldwide stage.
Another the latest case in point of these a collaboration strengthened by SMF was co-creation involving Indonesian director Edwin, producers Meiske Taurisia and Muhammad Zaidy of Palari Movies, Singapore producers Natalie Balakrishnan and Nathaniel P. Gunawan of Phoenix Films, and Lai Weijie of E&W Films. Their partnership led to the film “Vengeance Is Mine, All Other folks Shell out Hard cash,” which secured the Golden Leopard at the Locarno Movie Pageant 2021 and will be the opening movie for this year’s SGIFF.
For far more aspects of the Singapore Media Competition and its associate occasions, stop by https://www.imda.gov.sg/news-and-situations/our-signature-occasions/Singapore-Media-Competition.
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